About Me
I am a London-based freelance sound engineer, producer, musician, and composer with a broad skill set across live sound, studio work, and media composition. Since 2021, I have worked extensively in live audio at renowned venues such as Union Chapel, Scala, and Colours Hoxton, and with high-profile corporate clients through a number of corporate AV companies including Encore, Beagle Create, and All Safe and Sound. I currently serve as Technical Manager at Colours Hoxton, overseeing major AV upgrades, crew management, and daily production operations. I also run a recording studio in North London, providing editing, mixing, and mastering services, and have composed for projects including the indie game The King Is Dead. I’m currently seeking rewarding and creative opportunities to grow technically and artistically.
Technial Skills
Roles: FOH Engineer, Monitor Engineer, Lighting Designer, Video Technician, Production Manager
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DAWs: Pro Tools, Logic Pro, Ableton Live, Reaper
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Video & Media Editing: Premiere Pro, Final Cut
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Audio Networking: Dante, AVB, MADI
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Live Sound Consoles:Allen & Heath: D-Live, SQ Series, GLD, iLive. Midas: M32, Pro Series, Heritage. Soundcraft: Vi Series, Si Series. Yamaha: DM Series, QL Series, CL Series. DiGiCo: SD Series, Quantum Series
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AV & Lighting Systems: Avolites, Chamsys, Roadhog, Daslight, Resolume, QLab, MagicQ
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Other: Equipment maintenance, soldering, network management, rigging.
- Audio editing, mixing, and mastering
- Composition and arrangement for media and games
- Sound design and post-production
- Session musician (voice, guitar, bass, drums)
- Score production (e.g. The King Is Dead)
- Technical team leadership and training
- Show advancing and client communication
- Efficient under pressure and in fast-paced environments
- Highly adaptable across live, studio, and corporate settings
- Project management and long-term technical planning
Studio & Creative Skills
Soft Skills
To see my detailed employment history, please download my CV as a PDF using the button at the top of the page.